2002 Certificate: 12


Following Alec Baldwin and Harrison Ford, Ben Affleck fills the world-saving shoes of Tom Clancy's CIA analyst Jack Ryan in this typically jingoistic action thriller. The clear and present danger this time is a terrorist faction who threaten to create global thermonuclear havoc by detonating an A-bomb in Baltimore. Cue square-jawed suspense as Affleck plays the gung-ho middleman between US Prez James Cromwell and his Russian counterpart Ciaran Hinds. Fingers on buttons...


  • Phil Alden Robinson


  • Ben Affleck

  • Morgan Freeman

  • Bridget Moynahan

  • James Cromwell

  • Ciarán Hinds

  • Liev Schreiber

  • Alan Bates


IBen Affleck steps into Jack Ryan's shoes in a sort of prequel to the Harrison Ford movies where he's just about to begin his ascent up the Pentagon's greasy pole.

You can tell what sort of movie it's going to be as soon as a line of blacked-out people carriers and 4x4 jeeps snakes its way into a high security compound.

This is where a roomful of earnest old men trot out seemingly meaningless phrases such as 'passive nuclear strike', 'launch sequence' and 'Defcon Two'.

They are saying these things because an apparently hardline new incumbent of the Kremlin, President Nemerov (Ciaron Hinds), is rattling sabres.

When a chemical strike on the Chechen capital Grozny wipes out 80% of the population, US President Fowler (Cromwell) gets in a bit of a strop.

But when a nuclear explosion a bit closer to home wipes out an entire city the whole nuclear lexicon comes tumbling out. Defcon One anybody?

Meanwhile, Ryan, under the supervision of his CIA director mentor William Cabot (Freeman in Colin Powell mode) is building a completely different picture.

Rather than Nemerov, it appears a renegade neo-Nazi group, led by evil Richard Dressler (Bates), is trying to provoke America and Russia into Armageddon.

All Ryan has to do is persuade the White House hawks Nemerov is innocent - not an easy thing to do when your helicopter's just been brought down by an A-bomb.

Post September 11, the American view of mass destruction appears to have become a little less cosy and a bit more realistic.

For example, there's no hero stepping in in the nick of time to stop a digital clock seven seconds from a nuclear winter. The bomb here is real and people really do die.

For a good hour and half, director Robinson keeps the tension tightly screwed - but when the two superpowers begin squaring up to one another, reality is left behind.

Still, in making some telling political observations and showing all-too-rare American humility along the way (Pearl Harbor?), it's a sweatily serviceable thriller.

Tim Evans